Brian Lee Crowley: Why George Grant was wrong about pretty much everything

Commentary

Demonstrators gathered at the B.C. Legislature in Victoria, B.C., March 5, 2022. Chad Hipolito/The Canadian Press.

This year marks the 60th anniversary of Canadian philosopher George Grant’s Lament for a Nation: The Defeat of Canadian Nationalism, a seminal work that reshaped Canadian political discourse. Published in 1965, Grant’s critique of American cultural dominance and technological modernity challenged Canadians to reconsider their national sovereignty and identity. To mark the occasion, this summer, The Hub will feature a series of essays from big thinkers exploring the book’s enduring legacy and how its insights remain vital to understanding Canada and its relationship with the United States today.

George Grant and his most memorable book, Lament for a Nation, cast a long shadow. Getting through a degree in Canadian history or political science is well-nigh impossible without reading or at least seeing copious references to Lament. Certainly, many faculty hold it up as proof that the Canadian political tradition is nationalist and anti-American.

Too bad that Lament is, not to put too fine a point on it, nine cubic yards of codswallop.

In defence of my verdict, consider three of the book’s overarching themes:

  1. Modernity, exemplified by America’s individual liberty and technological prowess is the enemy of true conservatism in Canada and elsewhere;
  2. Far from being the final defeat of conservatism in Canada, John Diefenbaker’s loss in the 1963 election was merely another chapter in the long-running saga of Canada’s ambivalence about America since our founding;
  3. Diefenbaker’s refusal to permit American nuclear missiles in Canada and his 1963 defeat on the issue proved that Canadian sovereignty is merely a mirage.

Each one of these propositions is not just wrong, but egregiously so.

Let’s start with the idea that liberal modernity is the enemy of conservatism.

Lament for a notion

Grant’s lament is not for a nation, but rather a notion. That notion is that conservatism is embodied in a society composed of institutions (law, family, religion, community, and so forth) that inculcate in individuals the virtues and discipline needed to live a fully human life as understood by philosophers such as Plato, Aristotle, and Aquinas.

In Grant’s mind, this “good life” is not something we choose for ourselves, but is rather a standard we are to be raised to aspire to. If we find ourselves wanting something else, to live according to some other values and priorities, that is an error that social institutions, including the law, exist to discourage and, at the limit, disallow.

The best concrete image of what this means in practice is a feudal aristocratic society where the village squire, magistrate, and priest keep a close eye on us hardy but emotionally constipated rural yeomen to ensure that we do not stray from the way of life handed down to us by our forebears since time immemorial. Our betters know what is good for us, you see. It is the Laurentian elite on steroids.

There’s no escaping modernity

Moreover, because this classical view sees one of the great dangers facing humanity as hubris—getting ideas above our station in the cosmic order—Grant fears technology, which he believes fools us into believing we are the masters of both physical and human nature. Yes, technology confronts us with great dangers: gender ideology (men can now effortlessly become women and vice versa), artificial intelligence, transhumanism, euthanasia, ubiquitous surveillance and pornography, nuclear arms races, panicked COVID-19 control mania, and a host of other ills.

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